Love & Mercy & Beach Boys

It's time to kick off the summer of reviews! And what better way to do so than with Beach Boys? And so we begin with Love & Mercy, with Paul Dano and John Cusack portraying Brian Wilson in his younger and middle years respectively. I have been a fan of Dano ever since I saw his haunting acting in Prisoners, and he has worked his way up in movies such as 12 Years a Slave. And boy does he shine through here. Not only does he look and act the part, he also sounds the part. And when doing a musical biopic, sounding the part is pretty important and impressive.

Now I am a casual Beach Boys fan and really didn't look into their career before this film, but there is really a story to behold. The Dano years of the 60s experiments with LSD and all the typical band stuff from that decade, and it shows the complex mindset of the spontaneous and wonderful mind of Brian Wilson. And you get plenty of good vibrations because you get to listen to a lot of great songs.

Go forward a couple of decades to the slightly eccentric Cusack who buys a car from the beautiful Elizabeth Banks who switches up from her usual comedic roles to be a more serious, “good” character without too much depth (she's not the focus, but is a driving force and provides romantic connections). Gradually, as she dates the divorced Wilson, she discovers the manipulative therapist Paul Giamatti who has kept Wilson away from all of his family for a solid 2 years at least.

These scenes switch back and forth, and it is a solid dynamic to keep the interest fresh for what might be off-putting to some when they hear “biopic.” You will be engaged and committed, especially if you're like me and are unfamiliar with Wilson's life, but you will also see some missed potential. At just over 2 hours, not all scenes hit the mark and tiptoe through the area marked fluff. There isn't always the intensity wanted in the Cusack scenes, so the powerful moments are toned down just a bit. But, then again, hearing Paul Giamatti yell “SLUT!” over and over can't be all bad.

Generally speaking, the Dano scenes are better and what I continued to look forward to in the movie. He does the best acting, and watching his methods to find the perfect melodies while his domestic life has its struggles is engrossing and worth the watch. And again, listening to the formulation of the songs is a big treat.

There isn't much to boast about directing, but the incredible performance by Dano and the more suppressed and gloomy Cusack are attention-grabbing enough if for some reason Beach Boys wasn't. Ultimately, you'll come away with new appreciation and curiosity about the band that was briefly even more popular than The Beatles, and that is always a success in the mind of a filmmaker.

Tomorrow, we continue happy sunshiney times of summer with a genre that can be loved and hated. All I know is that it will be totally rad dude.