Forget it, Jacob. It's Chinatown.

I was trying to find an excuse to review this movie, and the Chinese New Year is close enough for me. What we have here today is truly a powerhouse of a film. Chinatown is a drama about a private investigator Jake (Jack Nicholson) who gets hired by a Mrs. Evelyn Mulwray (Faye Dunaway) because she believes her husband is having an affair. Jake quickly gets to work, but when Mr. Mulwray turns up dead and Evelyn not possibly actually being Evelyn, the movie starts messing with you in the best possible way.

            Before I discuss anything further, I have to talk about the script. It’s truly amazing just how good the writing is. It kills me not to discuss any spoilers, and I won’t, but you learn just the right amount of details from every scene as the depth to the complexity of the story and the characters slowly unwinds in metaphorical wonder. If there aren’t classes that already do this, then scriptwriting classes should always point to this movie when discussing how to essentially write a perfect script. No joke, as experienced of a writer I am, this script is almost as well-written as these reviews.

            Anyways, Roman Polanski directs this film, and one of his most notable contributions is the tone. The dude had a rough past, especially with where they shot the film, and admittedly this is a formula that does not equal out to a rainbow and smiles kind of movie. And this has got to be the most normal character Jack Nicholson has ever played, and the best thing to say is that it’s just a joy to watch an actor take the protagonist and make it his own. The supporting cast shines—I shouldn’t even have to say it, but this obviously includes the brilliantly complex performance from Faye Dunaway.

            Obviously, the most famous line is the one I reference in the title; however, that’s not actually my favorite line of the film. What’s so much fun is that I actually can’t tell you what it is because it’d be too much of a spoiler, so all I will say is that the line is a big reveal I did not by any means expect in the latter half of the movie. It’s some deep subject matter, and I say with a smirk that you have to watch the film to understand what I’m talking about.

            I understand that some movies I review and recommend will not exactly put you in a good mood after watching them… And yeah, this movie isn’t different. But if you’re prepared for a slow-burner that will shock and entertain you (but not put a smile on your face), then watch Chinatown. Well, that’s all from me. Now that you’ve read this review, go out and celebrate with your roosters.

Deepwater Horizon

            To celebrate Patriot’s Day coming out this weekend, we take a look back at Deepwater Horizon. For those who are unfamiliar, director Peter Berg and actor Mark Wahlberg first collaborated on the widely popular The Lone Survivor, and then proceeded to make the two aforementioned films. All 3 take incredible and devastating real life stories, and put them in gritty films meant to do justice for the real heroes.

            Don’t be confused: above all else, Deepwater Horizon is a disaster film. Unsuspecting characters mingle harmlessly and provide exposition about themselves and their surroundings to allow a second-half non-stop action fest. There are movies that follow the formula conventionally and do a good job at it, others do a poor job at it, and even some others try putting a twist on the formula. This film—for the most part—is successful.

            For a clear disaster film, what works the most is actually the beginning. It takes awhile for the action to start happening, so this means we have to care about the characters so that we’re worried about their fates when death closes in in the second half. The writing is solid and engaging, Wahlberg has chemistry with everyone, and Kurt Russell brings the soul and spirit into the film. John Malkovich plays a rather conventional white collar antagonist, but needless to say, the buildup for the inevitable is really well done.

            If you’ve been living under a rock for the past decade, I’ll quickly explain the point of this film. In 2010 an offshore oil rig exploded and resulted in the worst oil spill in U.S. history. This is the story of the workers on-board when it happened, and how pressure from executives to meet deadlines and cut costs ultimately led to the explosions that tragically killed and injured too many.

            The set for the film is basically the biggest ever used in a film, and it certainly adds to the film. There are plenty of shots of ordinary workers doing their job when mud and oil rumbles and rumbles until it finally blows. And it’s presented without holding back. This is a very strong PG-13 film as you watch workers blown back, saved by their helmets; they desperately try containing the oil that blocks their vision and slips them up. I’m simplifying the action and don’t want to describe everything that goes on, but trust me when I say that this film is engaging from start to finish. The climax was predictable, and therefore lacked some tension, but your heart will race as you root for the characters you spent the first half of the film getting to know.

            The movie won’t revolutionize anything, but that doesn’t have to stop it from being a solid film. It’s a disaster film you will enjoy watching, only amplified by the well-known fallout that took place afterward. It’s a testament to tell the story of real people in an unbelievably traumatizing situation, and for executing it with confidence and poise, I applaud the filmmakers and their efforts.