Sunday, November 13, 2016

#2 Casino Royale

I love love love the opening to Casino Royale. It's a perfect blend of infusing classic Bond while showing the world hey, this is the new direction we plan on taking this series. Admittedly, Daniel Craig is an unconventional look, but his charm will win you over. The parkour of the action sequence is really fun to watch (and Johnny English Reborn basically spoofs it and it's hilarious), but it's the opening scene that puts this as the best intro. The theme is a good song, not great, but fits well; the animation is clever and works well, and that's what puts "You Know my Name" as the 2nd best theme.

It doesn't matter who you are, if you prefer blondes over brunettes, or whatever it may be. Eva Green is the best Bond Girl in the Craig franchise. She brings the wit to match the man in the tux at every step. I'm a fan of Mads Mikkelsen, and he would be the best villain if it weren't for the #1 pick. Judi Dench is a solid choice, and she actually is reprising her role as M from the previous series. Jeffrey Wright also brings quality to the film, so I believe we've settled that the cast works well.

As far as story is concerned, there is a lot of good and a little bad. If you have establishing shots of well-known areas, putting title cards to tell you where the characters are currently at is cheap and dubs down the audience; this is something this film avoids even if it's brought into Quantum of Solace solely to make sure that sequel was a disappointment. The point is that you'll almost always see me praise subtlety. That really isn't the case here. I'd probably recommend subtitles actually for this film because details are sometimes given in low voices that's hard to pick up. The plot moves to a new action scene, or the characters suddenly display new motivations; and if you aren't paying attention to everything going on, chances are there will be something confusing. In fact, this was probably around my third viewing of the film and I picked up on new ideas while still being in the dark about others-- there are movies like Inception and The Prestige that work these details and foreshadowing effectively (both obviously Christopher Nolan films), but it's more of an annoyance here. And as we're on the topic of story, the writing and dialogue gets half-credit. The movie is way too choppy, but there are still some great quips:
Bond: Vodka-martini
Bartender: Shaken or stirred?
Bond: Do I look like I give a damn?
And my favorite:
Vesper (Eva Green): Am I going to have a problem with you, Bond?
Bond: No, don't worry. You're not my type.
Vesper: Smart?
Bond: Single.

On a final note for the story, I'm a sucker for well-constructed scenes like the development of the poker hands, and the torture scene is one of the best in any film. The confusion I've been referring to is mainly in the last 30 minutes. I'll say no more than that, but it's kind of hard to put a finger on what the goal was or what went wrong. These closing scenes aren't bad-- the climax is an awesome set-- but I don't believe it works to the degree the movie hopes for. Overall, the cast is all solid, but it's not the film's fault that the #1 pick has a better ensemble; what really brings the film down to the 2 slot is some choppy scenes and a confused plot. And if those are the critiques I have to give it, that should tell you that this really is a good film. It gets my recommendation, and if you're somebody who hasn't seen a Daniel Craig James Bond film, there's no better place to start than here. Tomorrow, you'll hear my reasoning on why one of the sequels surpasses this film, and you are free to disagree with my reasoning.

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