Deepwater Horizon

            To celebrate Patriot’s Day coming out this weekend, we take a look back at Deepwater Horizon. For those who are unfamiliar, director Peter Berg and actor Mark Wahlberg first collaborated on the widely popular The Lone Survivor, and then proceeded to make the two aforementioned films. All 3 take incredible and devastating real life stories, and put them in gritty films meant to do justice for the real heroes.

            Don’t be confused: above all else, Deepwater Horizon is a disaster film. Unsuspecting characters mingle harmlessly and provide exposition about themselves and their surroundings to allow a second-half non-stop action fest. There are movies that follow the formula conventionally and do a good job at it, others do a poor job at it, and even some others try putting a twist on the formula. This film—for the most part—is successful.

            For a clear disaster film, what works the most is actually the beginning. It takes awhile for the action to start happening, so this means we have to care about the characters so that we’re worried about their fates when death closes in in the second half. The writing is solid and engaging, Wahlberg has chemistry with everyone, and Kurt Russell brings the soul and spirit into the film. John Malkovich plays a rather conventional white collar antagonist, but needless to say, the buildup for the inevitable is really well done.

            If you’ve been living under a rock for the past decade, I’ll quickly explain the point of this film. In 2010 an offshore oil rig exploded and resulted in the worst oil spill in U.S. history. This is the story of the workers on-board when it happened, and how pressure from executives to meet deadlines and cut costs ultimately led to the explosions that tragically killed and injured too many.

            The set for the film is basically the biggest ever used in a film, and it certainly adds to the film. There are plenty of shots of ordinary workers doing their job when mud and oil rumbles and rumbles until it finally blows. And it’s presented without holding back. This is a very strong PG-13 film as you watch workers blown back, saved by their helmets; they desperately try containing the oil that blocks their vision and slips them up. I’m simplifying the action and don’t want to describe everything that goes on, but trust me when I say that this film is engaging from start to finish. The climax was predictable, and therefore lacked some tension, but your heart will race as you root for the characters you spent the first half of the film getting to know.

            The movie won’t revolutionize anything, but that doesn’t have to stop it from being a solid film. It’s a disaster film you will enjoy watching, only amplified by the well-known fallout that took place afterward. It’s a testament to tell the story of real people in an unbelievably traumatizing situation, and for executing it with confidence and poise, I applaud the filmmakers and their efforts.